Written by Weldon Irvine, this track pushes the funk intensity further than the album's title cut, with the tempo surging past 165 bpm into an aggressive, uptempo groove. The performance showcases the same powerhouse lineup in a more driving context. Freddie Hubbard leads the solo section on trumpet, his lines crackling with velocity and rhythmic precision as he navigates the brisk tempo. Joe Henderson follows on tenor saxophone, channeling the energy with his characteristically oblique phrasing and harmonic daring. Herbie Hancock's electric piano solo is rhythmically inventive, using syncopated clusters and percussive attacks that anticipate his later Headhunters work. George Benson contributes a fleet-fingered electric guitar solo that bridges bebop vocabulary with funk sensibility. The elevated tempo gives the track a more urgent, almost frantic quality compared to the album's other funk pieces, and the soloists respond with heightened intensity. Jack DeJohnette's drumming is particularly ferocious here, driving the band with explosive fills and a relentless pulse. The composition's simple but effective harmonic structure gives each improviser maximum freedom to stretch out over the churning rhythm section.
