This recording of "End of the Night" comes from The Doors' 1967 self-titled debut album. Written by the band and inspired by William Blake's poem "Auguries of Innocence" and Louis-Ferdinand Celine's novel Journey to the End of the Night, the song is a slow, atmospheric piece that inhabits the darker corners of The Doors' musical imagination. Robby Krieger's electric guitar solo unfolds over the E minor tonality at a deliberate 72 BPM, creating a passage of considerable tension and mystery. The slow tempo allows Krieger to explore sustain and texture, using feedback, reverb, and careful note placement to build an almost cinematic sense of dread. His fingerpicked approach yields tones that seem to emerge from and dissolve back into the song's dense atmosphere, blurring the line between composed arrangement and spontaneous improvisation. The solo spans roughly forty seconds, giving Krieger enough time to develop a mood without disrupting the song's hypnotic pull. "End of the Night" anticipates the more experimental direction The Doors would pursue on later albums, and Krieger's guitar work here demonstrates his ability to serve the song's emotional content rather than simply displaying technical prowess. The track remains one of the most atmospheric pieces on the debut, a dark jewel that rewards repeated listening.