The fifth tune brings the tempo down to a comfortable 114 BPM for Edgar Sampson's swing-era classic, providing a relaxed groove after the intense uptempo performances that dominated the first half. Three soloists take evenly matched statements — Lefkowitz-Brown and Feifke each deliver three choruses on tenor saxophone and piano respectively, while Chmielinski takes two choruses on acoustic bass. The balanced distribution and moderate tempo give the performance a different character from the extended high-energy blowing elsewhere in the set. Sampson composed the piece around 1933, and it became synonymous with the Savoy Ballroom in Harlem through performances by Chick Webb's orchestra and later Benny Goodman. The nearly fifteen-minute performance allows the quartet to settle into the groove without the urgency of the faster tempos, making it the set's most relaxed swinging moment. The program then closes with Chick Corea's Got a Match?, jumping back to high intensity for the finale.
