The second half of the medley drops the tempo dramatically to 128 BPM for Benny Carter's elegant swing-era standard, creating a sharp contrast with the breakneck Tune Up that preceded it without pause. Davis takes two choruses on trumpet over the 32-bar AABA form, Coltrane follows with two choruses on tenor saxophone, and Garland adds a chorus and a half on piano. The more relaxed tempo allows each soloist to develop melodic ideas with space and nuance after the dense, rapid-fire playing of the opening tune. Carter composed the piece in 1936 with lyricist Spencer Williams, and its gentle harmonic movement and singable melody have made it a quietly enduring standard, less famous than many of its Great American Songbook peers but beloved by musicians. The medley format — pairing a Davis original at top speed with a vintage standard at half the tempo — demonstrates the quintet's versatility and remains one of the most effective programming choices on the Cookin' album.
