Arthur Schwartz's dramatic minor-key standard gets an uptempo swing treatment at 195 BPM, with all four melodic voices plus drummer Kyle Poole contributing solos. Cohen leads with four choruses on piano over the 36-bar AABA form, Greenblatt follows with two on trumpet, Tarantino adds two on alto, and Poole closes with three choruses of drum solo that pushes the tempo past 202 BPM. The eleven-chorus total across five soloists and nearly thirteen-minute runtime make this the first half's most extended performance. Schwartz composed the piece in 1932, and its brooding harmonic movement has attracted jazz improvisers for decades. The 36-bar form is slightly longer than the standard 32 bars, giving each chorus a bit more harmonic territory. Poole's drum solo — his only featured spot until later in the evening — provides a rhythmic climax before the set shifts to the intimate ballad Peace.
