The energy stays high with this 1940 standard at 207 BPM, featuring all four melodic voices plus bassist Hall in the solo rotation. Tarantino leads with four choruses on alto, Greenblatt follows with four on trumpet, Cohen contributes six on piano, and Hall adds three on acoustic bass over the 32-bar AABA form. The seventeen combined choruses and nearly fifteen-minute runtime make this one of the evening's longest performances. George Fragos, Jack Baker, and Dick Gasparre composed the piece as a Tin Pan Alley ballad, but its rich chord changes attracted jazz musicians, and it became a standard through recordings by Chet Baker, Charlie Parker, and others. The quartet's uptempo swing interpretation emphasizes the tune's harmonic sophistication rather than its romantic origins. Coming after the marathon Chi Chi blues, maintaining this level of extended blowing shows the band's sustained energy deep into the set.
