The concert closes with Victor Schertzinger's standard at 193 BPM, featuring just the rhythm section without either horn guest. Cohen takes three choruses on piano and Hall matches with three on acoustic bass over the 36-bar AABA form. The horn-less format creates an intimate closing statement after an evening dominated by the trumpet-and-alto frontline, giving Cohen and Hall a final featured moment as a duo with the drums. Schertzinger composed the piece with Johnny Mercer for the 1942 film The Fleet's In, and its sophisticated changes and singable melody have kept it in jazz rotation for decades. The ten-minute performance lets the piano and bass develop extended ideas without competing for space with the horns, a fitting conclusion that brings the evening back to the core trio after the larger ensemble settings that dominated the program.
