The broadcast's ballad arrives at the midpoint with Harry Warren's standard taken at 54 BPM. Cohen takes one chorus on piano and Hall follows with one on bass over the 32-bar AB form — notably, Aldana sits out the solo section entirely, giving the rhythm section a featured moment. The eight-and-a-half-minute performance lets Warren's warm melody and gentle harmonic movement breathe at an unhurried pace. Warren composed the piece in 1931 with lyricists Mort Dixon and Joe Young, and it became a standard through recordings by singers and instrumentalists drawn to its straightforward romantic sentiment. The bass solo from Hall gives him a rare spotlight in a broadcast dominated by the piano-tenor dialogue. Positioned between two uptempo performances, this ballad provides essential dynamic contrast within the five-tune program.
