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Taking the 2nd solo, this flute improvisation spans four choruses of the 16-bar form at a blazing 254 BPM. Clay's flute provides a lighter textural contrast, the instrument's airy quality and fluid articulation offering a different melodic perspective within the ensemble. The uptempo pace demands rhythmic precision and quick harmonic thinking, with the soloist navigating the changes at speed while maintaining musical direction. Situated between Wes Montgomery's electric bass solo and Victor Feldman's turn on piano, it occupies a pivotal spot in the arrangement.
James Clay was 24 to 25 years old at the time.
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