We See is an original composition by Thelonious Monk, first recorded in 1954 with a quintet featuring Frank Foster on tenor saxophone, Ray Copeland on trumpet, Curley Russell on bass, and Art Blakey on drums. The tune carries a personal backstory rooted in Monk's family life: it was named after his niece, whose nickname "Weetee" was intended as the title. Through miscommunication the name was lost in translation and eventually rendered as "We See," while some early pressings further garbled it into the unrelated title "Manganese." Set as a medium up swing vehicle, the composition reflects the rhythmic drive and harmonic inventiveness characteristic of Monk's prolific output during the mid-1950s, a period in which he was steadily building the catalog of originals that would define his legacy alongside better-known pieces like Round Midnight and Evidence. We See has remained one of the lesser-explored corners of that catalog, never crossing into the mainstream jazz standard repertoire, though it has attracted growing attention from small ensembles since the 2000s. Among the few documented cover recordings is a version by the Paul Jeffrey Quartet, led by the tenor saxophonist who served as one of Monk's closest musical associates in the pianist's later years.