Ceora is a jazz composition by trumpeter Lee Morgan, written for his 1965 Blue Note album Cornbread. The piece is a 32-bar tune in AA' form, set in the key of Ab major with a bossa nova rhythmic feel. Morgan composed it for a quintet session that also featured Hank Mobley on tenor saxophone, Herbie Hancock on piano, Larry Ridley on bass, and Billy Higgins on drums. The melody is lyrical and elegantly constructed, blending the melodic directness of hard bop with the gentle, flowing character of the bossa nova groove. Harmonically, the tune features smooth voice leading and minor ii-V progressions that create moments of harmonic color without venturing into extreme complexity, making it an inviting vehicle for improvisation. The AA' form presents the main theme twice with a modified second ending, giving the composition a compact, song-like quality. Ceora stands within Morgan's prolific output for Blue Note Records during the 1960s as an example of his gift for writing memorable, hook-driven melodies. While not as widely known as his hit The Sidewinder, the tune has earned respect among jazz musicians and educators as a rewarding piece for study and performance. It has been arranged for various settings including big band, and its harmonies are frequently used in jazz pedagogy to illustrate bossa nova chord movement and voice leading concepts.