"Ball Bearing" is a thirty-two-bar AABA hard bop original composed by tenor saxophonist Johnny Griffin for his 1957 Blue Note album A Blowing Session. The tune was written specifically for that recording date, which brought together an extraordinary lineup of musicians drawn from several of the era's leading ensembles: Griffin, John Coltrane, and Hank Mobley on tenor saxophones, Lee Morgan on trumpet, Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums. The composition features a swinging, kinetic melody designed to launch extended improvisations, serving as a vehicle for high-energy interplay among the three tenor saxophonists and the full ensemble. Its rhythmic drive and melodic contour reflect the East Coast hard bop aesthetic of the late 1950s, emphasizing speed, intensity, and virtuosic blowing over a propulsive rhythm section. Griffin, known as "the Little Giant" for his compact stature and enormous sound, built the tune to showcase the competitive spontaneity of the jam session format rather than harmonic complexity or ballad lyricism. A Blowing Session is widely regarded as one of the defining hard bop recordings, and "Ball Bearing" remains closely associated with that album. The composition has not been widely covered by other artists and exists primarily as a document of that singular session, valued for the caliber of its personnel and the era-defining energy of its performance.