Candy is a composition by Mark Sandman, recorded by the Boston trio Morphine for their 1993 album Cure for Pain. Not to be confused with the 1944 pop standard of the same name, this Candy is a product of Morphine's distinctive low rock aesthetic, built on the band's unconventional instrumentation of two-string slide bass, baritone saxophone, and drums. The song carries a seductive, languid quality, with Sandman's vocals and bass establishing a slow-burning groove over which Dana Colley's baritone saxophone adds layers of smoky, atmospheric texture. Like much of the Cure for Pain album, the composition draws on blues, jazz, and noir sensibilities filtered through an alternative rock framework, resulting in something that resists easy genre classification. Sandman's lyrics tend toward the evocative and suggestive rather than the explicit, and Candy is characteristic in this regard, its title and mood conjuring associations of desire and indulgence without heavy-handed exposition. The arrangement exemplifies Morphine's ability to create a sense of fullness and density from minimal resources, with the baritone saxophone filling the frequency range that a guitar would typically occupy. Cure for Pain brought Morphine to wider critical and commercial attention, and tracks like Candy demonstrate why the album resonated so broadly, offering a sound that was accessible yet genuinely unlike anything else in the early 1990s alternative landscape.