Jimmy McHugh composed this romantic popular song in 1928 with lyricist Dorothy Fields, though its authorship has long been disputed, with some accounts claiming Fats Waller originally wrote the melody and sold it to McHugh around 1926. The song was introduced by vocalist Adelaide Hall at Les Ambassadeurs Club in New York as part of Lew Leslie's revue, which became Blackbirds of 1928, an all-Black production that ran for 518 performances on Broadway. McHugh and Fields reportedly found their inspiration while overhearing a young couple window-shopping outside Tiffany's on Fifth Avenue, one of them sighing that all they could offer their sweetheart was love. The tune was originally titled "I Can't Give You Anything But Love, Lindy," a nod to aviator Charles Lindbergh, before the title was softened to "Baby." Its warm, singable melody and straightforward harmony made it an immediate hit and a natural vehicle for jazz improvisation. Louis Armstrong recorded it multiple times beginning in 1929, shaping it into a jazz staple through his trumpet variations and scat singing, and his small-group Decca session in 1938 remains among the best-known versions. The earliest commercial recording, however, belongs to Cliff Edwards, better known as Ukulele Ike, who cut it for Columbia in December 1928. The song has attracted interpreters across nearly a century, from Lester Young and Oscar Peterson in the 1950s to Lady Gaga and Tony Bennett in 2014, and Adelaide Hall herself revisited it with Fats Waller in a 1938 London session at Abbey Road Studios.
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