
Recorded at the Power Station in New York and released on Warner Bros. Records in September 1992, Black Hope is an early leader date from alto and soprano saxophonist Kenny Garrett, featuring pianist Kenny Kirkland, bassist Charnett Moffett, and drummer Brian Blade, with tenor saxophonist Joe Henderson appearing as a guest on several tracks. The album arrived after Garrett's high-profile sideman work with Miles Davis and Art Blakey's Jazz Messengers, and it established him as a bandleader with a distinctive voice rooted in post-bop and hard bop. The dual-saxophone tracks with Henderson create a generational dialogue, pairing Garrett's intense, angular alto with Henderson's seasoned tenor in arrangements that give both players room to stretch. Kirkland's harmonic sophistication and Blade's responsive, dynamic drumming give the rhythm section a modern edge, while Moffett's bass grounds the ensemble. The program consists primarily of Garrett originals, reflecting his growing confidence as a composer alongside his abilities as an improviser. At over an hour, the album is expansive, moving between uptempo blowing vehicles and more reflective pieces. Black Hope helped position Garrett among the leading saxophonists of the 1990s jazz scene, where post-bop traditions were being renewed by musicians who had apprenticed with the music's elder statesmen.
4/4 funk in C minor at 158 BPM
4/4 funk in C major at 191 BPM
4/4 funk in C major at 192 BPM
4/4 funk in C major at 191 BPM
3/4 waltz in F major at 151 BPM
3/4 waltz in F major at 152 BPM
4/4 swing in F major at 324 BPM
4/4 swing in F major at 324 BPM
4/4 swing in F major at 340 BPM
4/4 swing in F major at 218 BPM
4/4 swing in F major at 240 BPM
4/4 swing in C minor at 283 BPM
4/4 swing in C minor at 289 BPM
4/4 swing in E major at 270 BPM
4/4 swing in E major at 279 BPM
4/4 swing in E major at 281 BPM
3/4 waltz in D minor at 122 BPM
3/4 waltz in D minor at 122 BPM