Darkness on the Edge of Town is Bruce Springsteen's fourth studio album, released on June 2, 1978 on Columbia Records, three years after Born to Run due to a protracted legal dispute with former manager Mike Appel. Produced by Springsteen and Jon Landau at the Record Plant in New York City, the album strips away the orchestral ambitions of its predecessor in favor of a leaner, more direct rock sound. The E Street Band — Roy Bittan on piano, Clarence Clemons on tenor saxophone, Danny Federici on organ, Garry Tallent on bass, Max Weinberg on drums, and Steven Van Zandt on guitar — delivers performances that are rawer and more aggressive than on Born to Run. Clemons's saxophone drives several tracks, with prominent solos on "Badlands," "The Promised Land," and "Prove It All Night." Springsteen's guitar work is more prominent here than on previous albums, with distorted leads on "Adam Raised a Cain" and "Candy's Room." The songwriting shifts from the romantic escapism of Born to Run toward working-class struggle and disillusionment, influenced by Springsteen's reading of authors like Flannery O'Connor. The album reached number five on the Billboard 200 and is regarded by many critics as the beginning of Springsteen's most artistically consistent period.