Thelonious Monk's "Well, You Needn't" is performed at a medium 128 BPM in F major, its angular, chromatic melody providing a test of each soloist's ability to navigate Monk's distinctive harmonic language. The 32-bar AABA form contains the half-step motion and unexpected melodic turns that are hallmarks of Monk's compositional style. James Clay opens the solo section with a chorus on tenor saxophone, his robust tone and direct approach engaging confidently with the tune's quirky harmony. Jack Sheldon follows with a trumpet chorus, his bright tone and witty phrasing showing a natural affinity for Monk's playful compositional sensibility. Morgan takes the third solo with a chorus on alto saxophone, demonstrating that his Parker-influenced vocabulary can adapt fluidly to Monk's harmonic world. Bobby Timmons contributes a piano chorus, his soulful, percussive style offering an interesting contrast to Monk's own spare, angular pianism on the original recording. Lawrence Marable caps the performance with a brief quarter-chorus drum solo of approximately eight bars, adding a final burst of rhythmic energy. The track features five soloists in succession, maintaining the communal blowing session atmosphere that characterizes this half of the album. The choice to include a Monk composition on a session dominated by bebop and originals speaks to the breadth of Morgan's musical interests and the versatility of this working group.