"Come Rain or Come Shine" is a swinging reading of Harold Arlen's classic standard from Art Blakey and the Jazz Messengers' 1958 Blue Note album Moanin'. Performed in a 32-bar ABA'C form in E-flat at approximately 142 bpm, the arrangement features an unusual solo order that begins with pianist Bobby Timmons rather than one of the horn players. Timmons's opening chorus establishes a warm, inviting atmosphere with his gospel-inflected touch. Tenor saxophonist Benny Golson follows with a chorus of expansive, melodically rich improvisation, his full tone and thoughtful phrasing perfectly suited to Arlen's dramatic harmony. Lee Morgan's trumpet chorus brings a contrasting energy, his brighter sound and more aggressive rhythmic approach lifting the intensity. Bassist Jymie Merritt closes the solo section with a well-crafted chorus that demonstrates his often-overlooked role as a melodic voice within the group. Blakey's drumming throughout is a masterclass in accompaniment, his dynamic sensitivity adjusting to support each soloist's individual needs. This track demonstrates the Jazz Messengers' ability to bring fresh perspective to a well-known standard, transforming it through the force of collective personality into something distinctly their own.
