This alternate take of "Oliloqui Valley" from the Empyrean Isles sessions provides a revealing contrast to the issued version, with each musician taking a notably different approach to the 28-bar ABAB' form. Hancock opens with an expansive eight piano choruses, nearly double his solo on the released take, exploring the composition's harmonic terrain with greater depth and experimental freedom. Freddie Hubbard follows with five trumpet choruses that build in intensity, his solo developing a different narrative arc from the issued version. Ron Carter takes three bass choruses, one more than on the released track, his extended solo space allowing for more elaborate melodic constructions. The slightly faster tempo gives this version a more urgent quality, and the quartet's collective energy suggests they were pushing each other toward new ideas. Tony Williams's drumming is characteristically inventive throughout, his responsiveness to each soloist creating a constantly shifting rhythmic landscape. The existence of this alternate take confirms that the Empyrean Isles sessions were exceptionally productive, with the quartet generating multiple complete and compelling performances of each composition. This version stands as a worthy companion to the issued take, offering additional insight into one of the most important jazz quartets of the 1960s.