The sole ballad in the early Standard Sessions catalog, this 2018 recording of Willard Robison's tender composition showcases a very different side of tenor saxophonist Chad Lefkowitz-Brown. At roughly 60 beats per minute, the tempo drops dramatically from the uptempo swing that characterizes most of the series, demanding a completely different approach to phrasing, tone, and space. Lefkowitz-Brown's one-chorus tenor saxophone solo unfolds over more than two minutes, giving each phrase room to breathe in a way that faster tempos simply don't allow. His tone opens up in the slower setting, revealing warmth and expressiveness that complement the tune's wistful, reflective melody. Pianist Takeshi Ohbayashi contributes a half-chorus solo that maintains the ballad's intimate atmosphere with tasteful, unhurried playing. The AABA form in F major provides a gentle harmonic framework that both soloists navigate with restraint and melodic sensitivity. Among the Standard Sessions recordings, this track stands apart as a study in dynamics and patience — proof that commanding a slow tempo requires just as much musical authority as burning through changes at high speed, and that Lefkowitz-Brown's artistry extends well beyond his considerable facility at faster tempos.