Sharing its name with the AllSolos concept of a segment, this Parker composition is taken at a brisk 242 BPM, making it one of the fastest performances in the set. The 32-bar AABA form supports three soloists — Lefkowitz-Brown delivers six choruses on tenor saxophone, Feifke follows with three on piano, and drummer Bryan Carter takes a four-chorus drum solo that pushes the tempo to 260 BPM. Carter's featured spot is one of only two drum solos in the entire Parker tribute session, and the increasing tempo across the three solos gives the performance a sense of building momentum. Parker recorded the original in 1949 during a prolific Mercury Records session, and the tune's rhythm changes foundation makes it a natural blowing vehicle at high tempos. Coming after the relaxed Latin feel of My Little Suede Shoes, the jump in tempo is dramatic, leading into the set's mid-point ballad.
