The set's final ballad arrives late in the program with Willard Robison's tender composition at just 46 BPM. Only Tarantino and Cohen solo, each taking half a chorus over the 32-bar AABA form. The extreme brevity of the solos — the shortest in the entire concert — and the slow tempo create a performance focused almost entirely on the melody statement and ensemble interplay. Robison composed the piece with lyrics by Dedette Lee Hill, and it became a jazz standard through recordings by Miles Davis and Mildred Bailey. The nearly eight-and-a-half-minute runtime despite the minimal soloing suggests extended rubato passages, interludes, or a slow, patient exploration of the melody. Positioned near the end of the program between the high-energy I Hear a Rhapsody and the closing I Remember You, this ballad provides a final moment of stillness before the set wraps up.
