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Ricky Rodriguez's acoustic bass solo is the third and final solo on this Standard Sessions recording of Isfahan. He takes one chorus of the 32-bar ABAC form at 95 BPM, the tempo having settled slightly from the preceding solos. Following Chad Lefkowitz-Brown's tenor saxophone and Carmen Staaf's piano, Rodriguez brings a bass perspective to Strayhorn and Ellington's melodic ballad, navigating its chromatically rich harmonies with a warm, full tone. The slower tempo and spacious form provide an exposed context that highlights his melodic sensibility and intonation across the instrument's range.
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