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Taking the 2nd solo, this piano improvisation spans a half chorus of the 12-bar form at a ballad tempo of 50 BPM. Kelly returns for a final three-quarter chorus, providing a sense of symmetry to the performance. This is the most concise solo on the recording, making every phrase count within a compact space. The slow ballad tempo demands patience and control, with each note given space to resonate. Situated between Hank Mobley's tenor sax solo and Miles Davis's turn on trumpet, it occupies a pivotal spot in the arrangement.
Wynton Kelly was 29 to 30 years old at the time.
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