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Closing out the solo section, this voice improvisation spans a half chorus of the 64-bar AABA form at a medium-up 178 BPM. This track demonstrates Gyorgy's interest in composing pieces with larger-scale formal designs, creating vehicles for improvisation that challenge soloists to think in longer phrases and broader arcs than the typical 32-bar standard allows. Gyorgy's vocal improvisation demonstrates harmonic awareness and rhythmic agility comparable to the instrumental soloists, using scat syllables and melodic invention to navigate the changes. Coming after Tymish Koznarsky's alto sax solo, this is the final improvisation before the ensemble returns to the head.
Caity Gyorgy was 21 to 22 years old at the time.
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