
Recorded at CBS Studios in Paris on May 23, 1963, Our Man in Paris was organized by Blue Note co-founder Francis Wolff, who traveled to France specifically to capture Dexter Gordon with the city's resident bebop rhythm section: pianist Bud Powell, bassist Pierre Michelot, and drummer Kenny Clarke. Gordon had recently relocated to Copenhagen, joining a wave of American jazz musicians who found greater artistic freedom and relief from racial prejudice in Europe. Powell and Clarke were likewise expatriates, and together with Michelot they had been performing as "The Three Bosses" at the Club Saint-Germain. The all-standards program includes bebop cornerstones by Charlie Parker and Dizzy Gillespie — "Scrapple from the Apple" and "A Night in Tunisia" — alongside ballads like "Stairway to the Stars," where Gordon's tender side emerges. Powell, whose health had been declining, plays with a focus and fire that surprised observers who had tracked his struggles. Gordon's tenor is commanding throughout, his phrasing probing and rhythmically assured, with Clarke's crisp, forward-leaning ride cymbal driving the ensemble. The album marked the beginning of Gordon's fourteen-year European chapter and is regarded as one of the last great bebop recordings, capturing a tradition in its purest form through musicians who helped create it.
4/4 swing in D minor at 184 BPM
4/4 swing in D minor at 186 BPM
4/4 swing in D minor at 196 BPM
4/4 swing in B♭ major at 212 BPM
4/4 swing in B♭ major at 223 BPM
4/4 swing in C major at 141 BPM
4/4 swing in C major at 144 BPM
4/4 swing in F major at 164 BPM
4/4 swing in F major at 167 BPM
4/4 swing in F major at 232 BPM
4/4 swing in F major at 244 BPM
4/4 ballad in C major at 62 BPM
4/4 ballad in C major at 62 BPM
4/4 swing in G major at 83 BPM
4/4 swing in G major at 83 BPM
4/4 swing in G major at 85 BPM