Weiner's third original features an unusual 28-bar AABC form with a straight-eighth feel at 130 BPM — the only non-swing groove in the set. The straight feel gives the rhythm section a different vocabulary to work with, and all three frontline players solo: Weiner takes four choruses on tenor, Iida follows with four on trumpet at a slightly faster 138 BPM, and Kreibich adds three on keyboard. The twelve-minute performance showcases Weiner's compositional range — having already contributed a swinging AABA tune and a ballad, this straight-feel piece with its asymmetric form demonstrates a more modern compositional sensibility. The 28-bar length creates an unusual phrasing cycle that keeps the soloists from settling into the predictable cadences of standard 32-bar structures. The set then returns to swing for the high-energy closer.
