The tempo surges back to 224 BPM after the mid-set ballad, with this 1931 John Klenner standard receiving a hard-swinging bebop treatment. The ABAC form provides three soloists with room to stretch — Lefkowitz-Brown takes five choruses on tenor saxophone, Feifke delivers three on piano, and Chmielinski adds a two-chorus bass solo. Parker's famous 1949 recording with strings brought this tune into the bebop canon, and his fluid, blues-inflected interpretation of the melody became a model for saxophonists. The quartet's version strips away the strings and treats it as a straight-ahead blowing vehicle, with the three-soloist format and brisk tempo placing it squarely in the small-group bebop tradition. At nearly nine minutes, the performance maintains the intensity of the set's uptempo numbers while the ABAC form's slightly different structure from the predominant AABA pieces provides harmonic variety.
