The concert's most high-energy performance features another Sean Jones original with all four musicians soloing over a 15-bar form at a blazing 247 BPM. Jones leads with eight choruses on trumpet, Cohen follows with nine on piano, Hall takes four on bass, and Poole closes with a ten-chorus drum solo — the longest drum feature of the evening, pushing the tempo to 259 BPM. The thirty-one combined solo choruses make this the most extensive blowing session of the night. Jones composed the piece with an unusual 15-bar form that prevents the solos from settling into the predictable cadence of standard 12 or 16-bar structures, keeping both players and listeners slightly off-balance. The title pays homage to an unnamed professor figure, fitting given Jones's parallel career as a jazz educator. After the quiet waltz of Sharon, the sudden eruption into this breakneck original creates the set's most dramatic shift in energy.
