The second tune shifts from swing to a Latin feel for Bronislaw Kaper's film standard at 192 BPM, showcasing a different rhythmic side of Rawicz's playing. Three choruses on tenor saxophone over the 32-bar ABAB' form give her room to explore the tune's contrasting sections — the Latin A sections and the swinging B sections that are characteristic of most jazz arrangements of this piece. Kaper composed it for the 1947 film Green Dolphin Street, and it became a jazz staple through Miles Davis's celebrated 1958 recording that established the Latin-to-swing feel change as the standard approach. The three-and-a-half-minute performance sits between the high-speed opener and the closing ballad, providing a middle-ground tempo that allows for more melodic development than the breakneck A Train while maintaining forward momentum.
